Over the course of the last 30 years Tim White has worked as an optical engineer, consultant, founded and sold a couple of businesses, but all along he had one passion: guitars. He first picked up the instrument at the age of 15, but his left-handedness soon forced him to take a year long break, during which he couldn’t get the desire to put his hands on the grill out of his mind. Ultimately, he decided to sacrifice comfort and learned to play rightie. And so his life-long fascination ensued. Even now, at the age of 64, he adores the instrument so much that if you mention the word ‘guitar’, he simply wouldn’t shut up.
Tim seems to know more about guitars than anyone else in this world. For example, did you know that pictures of air guitars appeared in ancient Egyptian drawings or that in medieval Spain the instrument was associated with sorcery, as it was believed to house a spirit that would possess the body of anyone who plays it? Yup, neither did I. A walking encyclopedia not only on the history of guitars, but also on the subjects on acoustics and the brain’s perception of sound, it is not surprising that Tim has turned making the perfect guitar into his life’s work.
Ever since he would hitchhike around the country with the (quite literally) heavy load of a 12-string guitar on his back, he’s been thinking of ways to make the instrument lighter and more portable. It all began in a guitar store in Ann Arbor, MI where Tim first came up with the idea of ‘shrinking’ a guitar and then ‘expanding’ it back to its full size. What followed was a quick experiment involving an acoustic guitar, graphite fiber and a Myler shopping back. The year was 1981 and the result was an instrument that produced amazing sound and looked like this:
Photo Credit: Ridgewing Guitars
Encouraged by this initial success, Tim would continue the quest of transforming guitars as we know them over the next 19 years. A biologist by education, he drew the inspiration for his final grillwork design from the structure of a dragonfly’s wing – something light, yet able to move sufficient waves of air to achieve its goal (in this case, producing sound). After much research, some CADing, and what seemed to be endless experiments with 3D printing, molding and a bunch of different materials, the quest was completed. The Chrysalis guitar (as it was called back in 2000) was made of silicon molds and carbon fiber, and looked like this:
Photo Credit: Ridgewing Guitars
Quite the masterpiece, it was quickly pronounced “One of the Most Collectable Guitars Available” by renowned guitar collector Ed Roman, who purchased two of the early prototypes. In addition, the MFA included the guitar in its 2000 exhibition “Dangerous Curves” which included rare instruments dating back to the 1400s. And if you’re still wondering what’s so special about Tim’s design (besides the fact that it’s a wicked good-looking guitar), check this out:
Photo Credit: Ridgewing Guitars
It’s light, easy to take apart (I watched Scott Lumsden from Ridgewing do it in a matter of seconds), and each and every part of it is replaceable. Fast-forward 12 years and this would become the core of Ridgewing Guitars‘ business model. The result of a collaboration between Tim and a couple of then-students at MIT Sloan, the company is experimenting with various materials, aiming to reduce the cost of the Ridgewing guitar (the original prototype cost $8000), and make it available to the mass guitar enthusiasts. Their first goal: to replace the expensive materials they’re now using with wood, while still keeping the new guitar compatible with any of the original’s pieces. “This will allow anyone who cannot afford the more expensive version to buy the cheaper one and slowly upgrade their guitar piece by piece”, explains Tim White.
From left to right: Tim White, Nate Burnell, Jay Darrow, Scott Lumsden Photo Credit: Ridgewing Guitars
Voted “Most Likely to Develop a Cult Following” at the recent Startup Spotlight event in Cambridge, MA, Ridgewing is currently looking to raise a round of funding. However, despite the fact that the guitar market is larger than $2billion in the US alone, White says that venture money is not easily accessible for a venture like his. “It is virtually impossible to present in the usual 3-minute pitch window the novelty and complexity of the Ridgewood technology and business model”, explains he. So, unsurprisingly the company has turned to crowdfunding as a source of financing the venture. Looking to raise around $500,000 in the next six months, the Ridgewing team is focused on creating a future where every guitar player has the freedom to customize their instrument as they see fit. When asked about his vision for the future of the company, Tim White says that they are “aiming to create an army of online stores all over the world” by collaborating with guitar enthusiasts and collectors. “We’ve taken the product as far as we can, and for us it is perfect, but the real innovation will come from the people. The guitar market hasn’t seen any changes for the past 50 years, and we’re aspiring to change that by giving the guitar community the chance to customize its instruments”, says he, adding that he can’t wait to see what designs and improvements his fellow guitarists would come up with.